Autobiographical artists’ books. 2015–2016.
Using the photocopier as an automatic printmaking machine.
Esther S White, Family Resemblance, 2016, xerography, white paper, perfect binding, 5.5″x8″, 26 pages, unique
Esther S White, BOY, 2016, xerography, white paper, perfect binding, 5.25″x8″, 24 pages, unique
Esther S White, 12/1/2015, 2015, xerography, gray and off-white paper, stab binding (staples), 8.375″x10.5″, 22.5″x10.5″ when open, 14 pages, edition of 5
Esther S White, Studio Journal – 14 months, 2016, xerography, blue and brown paper, saddle-stitch binding (staples), 4.5″x8.5″, 20 pages, edition of 5
Esther S White, July 2015, 2015, xerography, transparencies and tracing paper, blue and off-white paper, saddle-stitch binding (staples), 8.25″x11″, 12 pages, edition of 17
July 2015 made for 12X12 book exchange; in special collections at School of the Museum of Fine Arts, Boston, MA and Yale University Library, New Haven, CT.
July 2015, Scissors Cut, and 12/1/2015 included in Zea Mays Printmaking Flat File project.
All books on this page are part of an ongoing series of works that deal with parenthood and my dual identity as a Mother/Artist Artist/Mother through the Artist in Residence in Motherhood program.