Gallery A3

ESW, self-portrait, 2018, 8″x6″, photographic silk aquatint with chine colle

Gallery A3, 5th Annual Juried Exhibition
Juror: Emma Chubb, Smith College Museum of Art
June 7-30, 2018, Amherst Cinema Complex, 28 Amity St, Amherst, MA

“Four Ways In” group exhibition at A.P.E. Ltd Gallery

Esther S White, self-portrait, 2017, silk aquatint monoprint, 7”x10.25”

FOUR WAYS IN
A.P.E. Ltd. Gallery 126 Main St Northampton, MA (413)545-0680
April 4–29, 2018
Opening Reception: Friday, April 13, 5–8 PM

Esther S White, Kevin Pomerleau, Claire Crews and Sally Clegg present new work in conversation. The four artists, who met at Zea Mays Printmaking, have been building a routine of collaborative thought and curation. Working independently, they have each created new work that in a variety of ways addresses the subjects of touch, permeability, barriers, visualization, and proximity.

Sally Clegg is a visual artist and writer. Sally was awarded an MCC 2018 Artist Fellowship for Drawing & Printmaking. “My goal as an artist is to bear witness to private, protected, or otherwise invisible experiences or forces. My work integrates information from observation with invented content to create and manipulate narrative. I am continuously seeking the intersection of written and visual storytelling, and regularly experiment with utilizing literary tools in my visual practice, such as structural elements used in poetry, comics, and prose.”

Kevin Pomerleau is a printmaker. His work focuses on telling stories through images of the textiles present during pivotal moments of his own life. Pomerleau’s work entices the viewer to peer into his world without actually allowing them to enter, touching on themes of isolation, connection, and the plights of the queer community.

Claire Hawley Crews is a weaver and printmaker. Claire’s work interrogates digital technologies, memory and documentation, intimacy and ambiguity, from a growing technical knowledge of textile craft and intaglio printmaking.

Odds & Ends

New artists’ books presented at the 2017 Odds and Ends: Art Book Fair at the Yale University Art Gallery in New Haven, CT.

Esther S White, Disappearing Woman, 2017, artist book: photo-collagraph and photographic silk aquatint monoprints, drum leaf book with wrapped hard cover, 32 pages, 5.75”x7.75”

 

Esther S White, I Thought I Knew, 2017, artist book: gelatin plate monotypes, sumigashi marbled paper, exposed western binding with styrene covers, 44 pages, 8”x10”

 

Esther S White, Untitled, 2017, artist book: gelatin plate monotypes from paper collages made by the artist’s 2-year- old son at daycare, coptic binding, 16 pages, 10”x13”

“Working Green” at Motherbrook Arts Center

Two recent pieces of mine, A Measured Routine and Clothes that are too small or no longer needed (pumping bra), are included in an exhibition of prints from Zea Mays Printmaking at the Motherbook Arts & Community Center, 123 High Street, Dedham, MA.

Exhibit: October 17 – November 28
Reception & Artist Talk: November 5, 3 pm – 5 pm
Gallery Hours: 12 noon – 4 pm, Tuesday – Saturday

Esther S White, A Measured Routine, 2016, 42”x35”; cotton, fiber-reactive dye; screen printed and painted, machine stitched and quilted

 

Esther S White, Clothes that are too small or no longer needed (pumping bra), 2017, gelatin plate monotype, 16″x22″

E/AB Fair in NYC

Two of my artists’ books are going to the 2017 Editions/Artists’ Books Fair in NYC. Both are unique, made with monotypes and monoprints. Read more.

As an exhibitor at the 2017 E/AB Fair, Zea Mays Printmaking will feature original artists’ books and print portfolios by selected members of our printmaking community, including:  Anne Beresford, Annie Bissett, Lyell Castonguay, Liz Chalfin, Sally Clegg and Kayla Biggs, Jennifer Gover, Anita S. Hunt, Tekla McInerney, Kevin Pomerleau, Erika Radich, Richard Turnbull, Nanette Vonnegut, Esther S. White, Angela Zammarelli.